#nobodysbanda

SignatureDYN

v1.0 Compressor Gate Limiter AUv3 Plugin Stereo
01 — Introduction

Introduction

SignatureDYN is a professional 3-in-1 dynamics processor designed as an AUv3 audio unit extension. It combines a peak compressor, a smooth noise gate, and a brick-wall limiter in a single plugin — covering the complete dynamics processing chain in one insert slot.

The plugin runs inside any AUv3 compatible host on iPhone and iPad, with full preset and automation support, real-time VU metering, and a gain reduction display.

Peak Compressor

Hard-knee gain computer with independent attack and release, based on a peak envelope follower.

Smooth Gate

Exponential gate with 3× slower closing than opening — no clicks, no abrupt cutoffs.

Brick-Wall Limiter

0.1 ms attack limiter after makeup gain — hard ceiling, no transients exceed the set level.

Zero Latency

Zero allocation on the audio thread. Real-time safe for live performance.

Requirements

Platform: iPhone and iPad (Universal)
Minimum iOS: 16.0
Plugin format: AUv3 Audio Unit Extension (aufx)
Host app required: AU EngineCore or any AUv3 compatible host
02 — Getting Started

Getting Started

SignatureDYN is a plugin, not a standalone application. You need an AUv3 host to use it.

In AU EngineCore

1
Open AU EngineCoreConnect your audio interface and set up your session.
2
Select an insert slotTap a channel strip insert slot to open the plugin browser.
3
Load SignatureDYNSelect NobodysBanda: SignatureDYN from the Effects / Dynamics category.
4
Set ThresholdStart with THRESHOLD at −20 dB and RATIO at 4:1 for transparent compression.

In Other Hosts

Look for SignatureDYN in the audio unit browser under the Dynamics or Effect category, manufacturer NobodysBanda.

03 — Interface Overview

Interface Overview

SignatureDYN features seven rotary knobs arranged in two rows (4+3), two VU meters flanking the knob area, and two indicator LEDs.

VU Meters

The Input VU meter on the left shows the incoming signal level with a green/yellow/red scale from −∞ to 0 dBFS. The Gain Reduction meter on the right shows how much the compressor and limiter are attenuating — it fills from the top down in yellow, reading 0 to −30 dB.

Signal LED

A green LED in the top-right corner confirms that audio signal is present at the plugin input.

Gate LED

A yellow LED next to the GATE knob lights up when the gate is actively attenuating the signal — useful for setting the gate threshold precisely.

Knob Interaction

Vertical dragDrag up to increase, drag down to decrease.
Double-tapInstantly resets the knob to its default value.
04 — Controls

Controls

Row 1 — Compressor

Control
Range
Description
THRESHOLD
−60 – 0 dB
Level above which compression starts. Set lower for more compression, higher for only the loudest peaks. Default: −20 dB.
RATIO
1:1 – 20:1
Compression ratio. 2:1 is gentle; 8:1 is aggressive; 20:1 approaches limiting. Logarithmic scale. Default: 4:1.
ATTACK
0.1 – 100 ms
How quickly compression engages after the signal exceeds threshold. Fast = controls transients; slow = lets them through. Logarithmic. Default: 10 ms.
RELEASE
10 – 2000 ms
How quickly compression releases after the signal drops below threshold. Too short causes pumping; too long causes dulling. Logarithmic. Default: 100 ms.

Row 2 — Makeup, Gate, Limiter

Control
Range
Description
MAKEUP GAIN
0 – 30 dB
Static gain applied after compression to restore perceived loudness. Applied before the limiter. Default: 0 dB.
GATE
−80 – 0 dB
Signals below this threshold are attenuated by the gate. Set to −80 dB to disable. The yellow Gate LED lights when the gate is active. Default: −60 dB.
LIMITER
−20 – 0 dB
Brick-wall output ceiling. No signal exceeds this level. Attack is fixed at 0.1 ms; release follows the compressor release time. Default: −0.3 dB.
Processing order: Gate → Compressor → Makeup Gain → Limiter. The gate acts first on the raw signal; the limiter is the final stage before output.
05 — Signal Path

Signal Path

Input
Envelope Follower
Gate
Compressor
Makeup Gain
Limiter
Output

Envelope Follower

A peak envelope follower tracks the instantaneous signal level with independent attack and release smoothing. The detected level drives both the gate decision and the compressor gain computer.

Gate

When the envelope drops below the GATE threshold, the gate gain fades to zero using the compressor's attack coefficient. The gate closes 3× more slowly than it opens to avoid clicks and unnatural cutoffs. The yellow LED lights when gate gain is below 90%.

Compressor

A hard-knee gain computer calculates the required attenuation based on the envelope level versus THRESHOLD and RATIO. Gain smoothing uses separate attack and release coefficients for natural-sounding dynamics control.

Makeup Gain

A static gain stage after compression. Applied multiplicatively in linear domain — no additional processing.

Limiter

A brick-wall limiter with fixed 0.1 ms attack. When any sample exceeds the LIMITER ceiling, gain is reduced instantly and released at the compressor release rate. At 0 dB ceiling the limiter is effectively inactive.

06 — Presets & Automation

Presets & Automation

All seven parameters are fully automatable AUv3 parameters. Any host that supports preset saving can store and recall complete SignatureDYN settings.

Automatable Parameters

Parameter
Range
Unit
Threshold
−60 to 0
dBFS
Ratio
1 to 20
Ratio (log)
Attack
0.1 to 100
Milliseconds (log)
Release
10 to 2000
Milliseconds (log)
Makeup Gain
0 to 30
dB
Gate
−80 to 0
dBFS
Limiter
−20 to 0
dBFS
07 — Technical Specifications

Technical Specifications

Plugin formatAUv3 — Audio Unit v3 Extension (aufx)
Manufacturer codeNbBa
SubtypeSDYN
Compressor typePeak detector, hard-knee, feed-forward
Envelope followerIIR first-order, branched attack/release
Gate behaviourSmooth exponential; closes 3× slower than opens
Limiter attackFixed 0.1 ms; release shared with compressor
DSP precisionSingle-precision (32-bit) float throughout
LatencyZero samples
Tail timeZero (reported to host)
Audio I/OStereo in, Stereo out (independent L/R processing)
Thread safetyAtomic parameter updates; zero allocation on audio thread
Minimum iOS16.0
Supported devicesiPhone and iPad (Universal)
08 — Tips & Best Practices

Tips & Best Practices

Set Threshold by watching the GR meter

Raise the signal level until the Gain Reduction meter begins to move, then set THRESHOLD just at that point. Compression that only engages on the loudest moments is usually the most transparent.

Attack controls transient character

A slower attack (20–50 ms) lets the initial transient pass uncompressed, adding punch and presence. A fast attack (1–5 ms) rounds off transients for a smoother, more controlled sound.

Release and pumping

If you hear the background level breathing or pumping with the music, the release is too short. Increase it until the GR meter returns smoothly between phrases, not between individual beats.

Gate threshold via the yellow LED

Set GATE to −80 dB first. Play back the source and slowly raise the gate threshold while watching the yellow LED. Stop raising when the LED stops lighting during pauses in the signal — that's your correct gate threshold.

Limiter as safety net

Leave the LIMITER at −0.3 dB as a transparent safety ceiling at all times. Only move it lower if you need a specific loudness constraint for a bus or output.

Starter settings for vocals

THRESHOLD −18 dB · RATIO 3:1 · ATTACK 15 ms · RELEASE 120 ms · MAKEUP GAIN +4 dB · GATE −50 dB · LIMITER −0.3 dB.

Starter settings for drums

THRESHOLD −12 dB · RATIO 6:1 · ATTACK 4 ms · RELEASE 80 ms · MAKEUP GAIN +6 dB · GATE −40 dB · LIMITER −0.3 dB.

09 — Support

Support

SignatureDYN is developed and maintained by Antonio Sorin TASU under the #nobodysbanda brand.

Contact

Developer: Antonio Sorin TASU
Website: nobodysbanda.ro

When Reporting an Issue

  • Device model and iOS version
  • Host application name and version
  • Description of the issue and steps to reproduce it
  • Whether the issue occurs consistently or intermittently