#nobodysbanda

SignatureRVB

v1.0 Reverb Effect AUv3 Plugin Stereo
01 — Introduction

Introduction

SignatureRVB is a professional stereo reverb effect designed as an AUv3 audio unit extension. Built on a Freeverb-style algorithm with 8 parallel comb filters and 4 series allpass filters per channel, it delivers rich, musical reverberation from small rooms to large halls.

The plugin runs inside any AUv3 compatible host on iPhone and iPad, with full preset and automation support.

Freeverb Algorithm

8 comb filters + 4 allpass filters per channel — classic Schroeder/Moorer architecture.

Pre-Delay

0–100 ms pre-delay separates the dry signal from the reverb onset.

6 Rotary Controls

Hardware-style knobs with professional graduation marks.

Zero Latency

Zero allocation on the audio thread. Real-time safe.

Requirements

Platform: iPhone and iPad (Universal)
Minimum iOS: 16.0
Plugin format: AUv3 Audio Unit Extension (aufx)
Host app required: AU EngineCore or any AUv3 compatible host
02 — Getting Started

Getting Started

SignatureRVB is a plugin, not a standalone application. You need an AUv3 host to use it.

In AU EngineCore

1
Open AU EngineCoreConnect your audio interface and set up your session.
2
Select an insert slotTap a channel strip or bus insert slot to open the plugin browser.
3
Load SignatureRVBSelect NobodysBanda: SignatureRVB from the Effects category.
4
Adjust SIZE and DECAYStart with SIZE at 50% and DECAY at 40% for a natural room sound.

In Other Hosts

Look for SignatureRVB in the audio unit browser under the Effect category, manufacturer NobodysBanda.

03 — Interface Overview

Interface Overview

The SignatureRVB interface features six rotary knobs arranged in two rows of three. Each knob is surrounded by graduation marks with numeric labels at key values.

Signal Indicator

A green LED in the top-right corner lights up when audio signal is present at the input, confirming the plugin is receiving audio.

Knob Interaction

Vertical dragDrag up to increase, drag down to decrease.
Double-tapInstantly resets the knob to its default value.
04 — Controls

Controls

Control
Range
Description
DRY / WET
0% – 100%
Mix between original and reverberated signal. At 0% only dry, at 100% only reverb. On insert use 20–40%; on send use 100%. Default: 50%.
SIZE
0% – 100%
Virtual room size — scales the delay times of all comb filters. Small values produce tight, intimate spaces; large values create halls and cathedrals. Default: 50%.
DECAY
0% – 100%
Reverb tail length — controls the feedback amount in the comb filters (internally mapped to 0.50–0.95). Below 30% gives short, dry reverb; above 75% gives long ambient tails. Default: 50%.
DAMP
0% – 100%
High-frequency damping applied inside each comb filter feedback loop. At 0% the reverb is bright and metallic; at 100% it becomes warm and dark, simulating absorptive room materials. Default: 50%.
PRE-DLY
0 – 100 ms
Time between the dry signal and the onset of reverb. At 0ms the reverb starts immediately; at 20–40ms the ear perceives distance to the walls; above 60ms gives a dramatic separation effect. Default: 20 ms.
WIDTH
0% – 100%
Stereo spread of the reverb. At 0% the reverb is mono; at 100% fully stereo with maximum difference between L and R channels. Default: 80%.
Tip: SIZE shapes the character of the space, DECAY controls how long it lasts. Combine them together — a large SIZE with low DECAY gives a bright, short hall; a small SIZE with high DECAY creates an unusual, sustained intimate space.
05 — Signal Path

Signal Path

Input
Pre-Delay
8× Comb Filters
Sum
4× Allpass Filters
Width Matrix
Dry/Wet Mix
Output

Comb Filters

The 8 comb filters run in parallel. Each stores a delayed copy of the signal and feeds it back through a low-pass filter controlled by DAMP. The feedback amount is set by DECAY, and the delay times are scaled by SIZE. Left and right channels use slightly different delay times (stereo spread of 23 samples) to create natural stereo diffusion.

Allpass Filters

The 4 allpass filters run in series after the comb filter bank. They add additional diffusion and density to the reverb tail without coloring its frequency response (allpass filters have flat magnitude response). Fixed feedback of 0.5 per stage.

Pre-Delay

A circular buffer before the reverb network delays the wet signal by 0–100 ms. The dry signal bypasses this delay and reaches the output immediately, creating the perceptual impression of distance between the source and the reflective surfaces.

Stereo Width Matrix

The final wet signal is mixed with a stereo width matrix:

wet1 = wet × (width/2 + 0.5)
wet2 = wet × (0.5 − width/2)

output_L = dry × input_L + wet1 × reverb_L + wet2 × reverb_R
output_R = dry × input_R + wet1 × reverb_R + wet2 × reverb_L
06 — Presets & Automation

Presets & Automation

All six parameters are fully automatable AUv3 parameters. Any AUv3 host that supports preset saving can store and recall complete SignatureRVB settings.

Automatable Parameters

Parameter
Range
Unit
Dry/Wet
0.0 – 1.0
Linear ratio
Size
0.0 – 1.0
Linear ratio
Decay
0.0 – 1.0
Linear ratio
Damp
0.0 – 1.0
Linear ratio
Pre-Delay
0 – 100
Milliseconds
Width
0.0 – 1.0
Linear ratio
07 — Technical Specifications

Technical Specifications

Plugin formatAUv3 — Audio Unit v3 Extension (aufx)
Manufacturer codeNbBa
SubtypeSRVB
AlgorithmFreeverb — Schroeder/Moorer
Comb filters8 per channel, parallel, with LP damping in feedback
Allpass filters4 per channel, series, feedback = 0.5
Stereo spread23 samples offset between L and R comb delays
Pre-delay range0–100 ms (max 9 700 samples at 96 kHz)
Decay rangeFeedback 0.50–0.95 (mapped from 0–100%)
Size rangeRoom scale factor 0.50–0.99 (mapped from 0–100%)
DSP precisionSingle-precision (32-bit) buffers; float processing
LatencyZero samples
Tail time10.0 seconds (reported to host)
Audio I/OStereo in, Stereo out
Thread safetyAtomic parameter updates; zero allocation on audio thread
Minimum iOS16.0
Supported devicesiPhone and iPad (Universal)
08 — Tips & Best Practices

Tips & Best Practices

Start with SIZE, then DECAY

Set SIZE first to define the space character, then raise DECAY until the tail feels musical. Stay below 75% DECAY to avoid an overly washy sound.

Use DAMP for warmth

Raising DAMP (50–70%) simulates the natural high-frequency absorption of walls, carpets, and furniture. The reverb tail becomes progressively darker, sitting behind the dry signal in the mix.

PRE-DLY on vocals

A pre-delay of 20–30 ms preserves the clarity of the initial transient while still adding space. The brain perceives the dry sound first, then the reverb — just like in a real room.

WIDTH on dense mixes

Reduce WIDTH to 40–60% to keep the reverb out of the center of the stereo image, leaving room for kick and bass. Full WIDTH (100%) works well on pads and ambient sounds.

Send vs. Insert

On a send bus, set DRY/WET to 100% (fully wet) and control the amount from the send level fader. On an insert, use DRY/WET between 15–40% depending on the effect depth desired.

Stack with SignatureDLY

Insert SignatureDLY before SignatureRVB. The pre-delay of the reverb doubles as a tempo-sync point — set the DLY TIME to a quarter note value, then the RVB PRE-DLY to 0 ms for a rhythmic reverb effect.

Starter Presets

Vocal Room: SIZE 45% · DECAY 40% · DAMP 55% · PRE-DLY 25ms · WIDTH 70% · DRY/WET 25%

Drum Room: SIZE 35% · DECAY 30% · DAMP 25% · PRE-DLY 5ms · WIDTH 85% · DRY/WET 30%

Ambient Pad: SIZE 80% · DECAY 75% · DAMP 65% · PRE-DLY 0ms · WIDTH 100% · DRY/WET 50%

Small Hall: SIZE 60% · DECAY 55% · DAMP 45% · PRE-DLY 15ms · WIDTH 80% · DRY/WET 35%
09 — Support

Support

SignatureRVB is developed and maintained by Antonio Sorin TASU under the #nobodysbanda brand.

Contact

Developer: Antonio Sorin TASU
Website: nobodysbanda.ro

When Reporting an Issue

  • Device model and iOS version
  • Host application name and version
  • Description of the issue and steps to reproduce it
  • Whether the issue occurs consistently or intermittently